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At first funny, then I found this very sad.

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At first funny, then I found this very sad. Michael Bulatovich 04-09-2007
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Posted by Michael Bulatovich on April 10, 2007, 8:39 am

>>
>>>
>>>>
>>>>> http://tinyurl.com/32a32w
>>>>>
>>>>> Must be my time of the billing cycle.
>>>>>
>>>>
>>>> Must be a Washington thing because I have many friends who play the
>>>> subways in NYC. Not Joshua Bell quality or anything but damn good
>>>> musicians. On average, during one 3 hr rush hour (oxymoron?) at a
>>>> similarily busy subway station, they routinely make about $20-30 an
>>>> hour. For most it's a matter of "hey if I'm going to practice today
>>>> anyhow, why not practice in public and make a few bucks".
>>>>
>>>> But Bell said it best: "Actually," Bell said with a laugh, "that's not
>>>> so bad, considering. That's 40 bucks an hour. I could make an okay
>>>> living doing this, and I wouldn't have to pay an agent."
>>>>
>>>> What's sad about that?
>>>
>>> The lack of appreciation.
>>
>> I should say, of the art. It's not wholly unlike the destruction of those
>> amazing stone Buddhas by the Taliban.
>>
>> http://www.artsjournal.com/issues/Taliban.htm
>> --
>>
>>
>> MichaelB
>> www.michaelbulatovich.ca
>>
>>
>
> Buddha says your too attached to impermanent things.
>
> You desire appreciation, and desire leads to suffering. Let it go.
>
> Ask the Hot Dog vendor to make you one with everything.
>
> Or something like that :-P
> --
> Edgar

You've got a point, but I don't want to get to attached to the idea of
avoiding suffering either....



Posted by Pierre Levesque on April 10, 2007, 10:28 am
>
>>
>>> http://tinyurl.com/32a32w
>>>
>>> Must be my time of the billing cycle.
>>>
>>
>> Must be a Washington thing because I have many friends who play the
>> subways in NYC. Not Joshua Bell quality or anything but damn good
>> musicians. On average, during one 3 hr rush hour (oxymoron?) at a
>> similarily busy subway station, they routinely make about $20-30 an hour.
>> For most it's a matter of "hey if I'm going to practice today anyhow, why
>> not practice in public and make a few bucks".
>>
>> But Bell said it best: "Actually," Bell said with a laugh, "that's not
>> so bad, considering. That's 40 bucks an hour. I could make an okay living
>> doing this, and I wouldn't have to pay an agent."
>>
>> What's sad about that?
>
> The lack of appreciation.
>

BTW, being a successful and good street performer is not just about being
talented. As they say, LOCATION, LOCATION, LOCATION. In this particular
case Bell sets himself up to play BEFORE the turnstyles to the subway?
C'mon any intelligent person can figure out that that is the one location
where people hurry up the most of their entire commute... the only thing on
their minds is "get to the platform, the train might be there!". The place
to play is either on the platform where people waiting to take their trains
are essentially forced to listen, or in some plaza where traffic is heavy
but away from that final rush to the turnstyle.

Just an observation...



Posted by gruhn on April 16, 2007, 10:27 pm
What kind of fucking n00b busks right by the out door?


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