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Posted by ++ on December 14, 2007, 3:35 pm
Michael Bulatovich wrote:
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>>Michael Bulatovich wrote:
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>>>>>Do the Romani see assimilation as a threat to their continuation?
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>>Endangered peoples not so much by reason of assimilation but
>>marginalization: http://www.errc.org/English_index.php
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>>>That places them in Persia, doesn't it?
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>>Last ruling group of Zoroastrians in post Islamic/Turkish times in
>>nowadays Iran, but pre Selcuk, was the Buyids. Their civilization
>>predates only slightly some of the Roma migrations to Europe along an
>>already established trade route. Something to consider. Are Troppo's
>>ancestors Buyids?
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>>Buyids had an astounding architecture, what few building remain:
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>>http://en.wikipedia.org/wiki/Buwayhid
>>https://edit.britannica.com/getEditableToc?tocId=32168
>>http://www.bartleby.com/65/bu/Buyid.html
>>http://links.jstor.org/sici?sici=0078-6527(1965%2F1966)18%3C143%3AMOUTBO%3E2.0.CO%3B2-T
>>http://www.angelfire.com/nt/Gilgamesh/buyid.html
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>>Unfortunately, a lot written has an incredible Iranian bias.
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>>It should be carefully considered that Buyid metalwork closely resembles
>>in technique and quality of craftsmanship, Roma metalwork which begins to
>>appear after there were establish Roma metalworking centers (ex. Tula)
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>>http://links.jstor.org/sici?sici=0732-2992(1983)1%3C69%3ATOPANA%3E2.0.CO%3B2-%23
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>>See the following for some Sassanian Buyid links:
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>>http://www.cais-soas.com/CAIS/Architecture/sasanian_palaces_islam.htm
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>>Note from the second article that although we have little surviving Buyid
>>architecture, we know absoltuely that Selcuk architecture was (poorly, in
>>terms of craftsmanship) imitative in every respect from metalwork to
>>brickwork. And that is glorious enough.
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>>http://archnet.org/library/sites/sites.jsp?letter=&country_code=&place_id=&type=&style=Buyid&usage=¢ury=&decade=&order_by=site&showdescription=1
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>>or http://tinyurl.com/ytmc94
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>>http://www.metmuseum.org/toah/ho/06/wai/hod_40.170.176.htm (enlarge the
>>pattern once you are there)
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>>http://tinyurl.com/35aftf
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>>(I am having a hard time finding material online....that I want to show)
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>>http://www.essential-architecture.com/ASIA-WEST/WA-IR/WA-IR-001.htm
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>>Note elements inroduced for the first time by Buyids that we take for
>>granted in Islamic architecture today. Also note the connection between
>>Egyptian and Iranian architecture in the use of monumental iwans which
>>were (because of the Turkish propensity) doubled during the Selcuks.
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>You mean for doing things twice? The Buyids introduced elements we consider
standard in Islamic architecture. The Selcuks that followed the Buyids, and in
some cases finished their monumental buildings, both copied their style in
almost everything but added soem of their own elements, particularly having
compass point entrances which replicated, to an extent, their early
Mongol/Turkic military encampments and organization.
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>>http://tinyurl.com/2bl4x7 is another general page or two on the topic.
>>search other pages of Ettinghausen.
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>>What happened to the Buyids of Iran and Iraq after expulsion?
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>Don't ask me. Thanks for all that, BTW. It's clear to me that what I think
>of as Balkan, and a lot of eastern European music is largely Romani.
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In some things like music, it is hard to say what was the genesus for
anything in particular. The ney of Iran is the kaval of the Balkans and
is made from the same reed cane, which I may have pointed out before
(arundo donax)in some discussion of pernicious imports for landscaping.
The scales of Byzantine music are essentailly Syriac and Judaic
tradition. The intervals of Indian music scales are as varied as
Byzantine (and South Slavic) and several musicologists have found that
there is a complete relication of some Indian with some Byzantine. Is
this accidental or not? Roma have completely taken over for traditional
musicians in some countrires, i.e. there used to be non Roma musicians
doing music in Hungary, for example, that almost only Roma do today.
Who invented what is not so important sometimes as carrying on the
tradition or heritage. The Roma were kept as slaves longer than any
other people in Europe and were freed last in Romania where they did
almost all of the cooking, so it is unclear how much was invented by
whom, almost all of the music and a great deal of the fine metalwork
which they also still do in the Balkans (music and jewelry making and
fine metalwork, tookmaking and metal repair). These all can be nomadic
occupations
Take a look at Mamluk metalwork and Byzantine metalwork of Egypt. It is
also difficult to discern the difference, also, sometimes of Celtic and
Roma metal techniques. Why? Hard to know.
The term cincar (tsintsar), an ononomopoetic term, refers to the
metalworking ability of Roma.among Latinic speaking people. What we
mistakenly think of as the Russian samovar is actually Roma metalwork.
Lemme see if there is anything worth perusing about Tula online. If one
gets an antique samovar, one often sees the marks from the dates of its
retinning on the inside and the city name impression and date. Tula is
common as a repair place as well as a place of origin for much fine
metalwork and repair.
http://www.russian-gifts-home.com/samovars/tula_samovar.htm http://www.russian-gifts-home.com/samovars/samovar.htm
inlay: http://www.thecarvingpath.net/forum/uploads/post-1151-1178196437.jpg
table: http://www.metmuseum.org/toah/ho/09/eue/ho_2002.115.htm
*folktale:
http://en.wikipedia.org/wiki/The_Tale_of_Cross-eyed_Lefty_from_Tula_and_the_Steel_Flea
*
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