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What Determines Architectural Plaigarism?

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What Determines Architectural Plaigarism? clintonG 08-25-2007
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Posted by clintonG on August 25, 2007, 8:03 pm
We all know there are precedents from which common design elements and
styles were established and then "borrowed from."

However, how much of a design and its expression derived from historial
precedent must and can be considered to establish the design was plaigarized
and built by others when the person's design being plaigarized is itself
derived frrom historical precedents?

How can we possibly establish the meaning and the scope of "how much?" I
know what I was taught in school and in practice about the vocabulary of
architecture but where does plaigarism begin and end?. What would your
criteria be? Could your criteria be substantiated formally or "officially?"

--
<%= Clinton Gallagher
NET csgallagher AT metromilwaukee.com
URL http://clintongallagher.metromilwaukee.com/




Posted by Michael Bulatovich on August 27, 2007, 8:55 am

>
>> clintonG wrote:
>>> We all know there are precedents from which common design elements and
>>> styles were established and then "borrowed from."
>>>
>>> However, how much of a design and its expression derived from historial
>>> precedent must and can be considered to establish the design was
>>> plaigarized and built by others when the person's design being
>>> plaigarized is itself derived frrom historical precedents?
>>>
>>> How can we possibly establish the meaning and the scope of "how much?" I
>>> know what I was taught in school and in practice about the vocabulary of
>>> architecture but where does plaigarism begin and end?. What would your
>>> criteria be? Could your criteria be substantiated formally or
>>> "officially?"
>>>
>>
>>
>> I'd say the argument is at the "how much" is copied. For instance, I've
>> been asked to "redraw" a plan photocopied from a plan book. If the owner
>> wanted that exact plan, I'd tell them to go take a hike... I don't want
>> my name on a crappy design. If they say they like it, but need a few
>> changed, then we're good to go. By the time the design is done, there's
>> little resemblance to the original plan and it's a "new" design.
>>
>> For me, it's the "copy machine" idea. If what I'm doing is acting as a
>> "copy machine", then it's crossed the line. If I actually need to engage
>> in design, then what they've presented is a starting point for
>> discussion.
>>
>> But it does present a very interesting question. When I was not working
>> for myself, I had a client for whom I designed a nice house. They had
>> given me their requirements, I had their specific site in mind, etc. One
>> day, while in the office of a co-worker, I noticed a plan on his desk.
>> It was remarkably similar to mine. The elevations were a bit different
>> stylistically, but the plans were almost identical (mostly differences in
>> room proportions and closet locations). After talking to him, our
>> clients, who didn't know each other, had given virtually identical
>> program requirements and, being in lake country, both were situated on
>> similar (but different lakes) lots. Did we plagiarize each other?
>> Legally, you could make the argument that one of us copied the other one
>> and made a few minor changes to make it unique. The reality was that
>> given certain program restrictions, the "best" solution will come out the
>> same.
>>
> When I was teaching Design at BAC, we gave a ski lodge problem. One
> student came in with a solution that was identical to a lodge I had
> designed several years earlier in the office I mentioned above. My
> co-instructor asked him where he worked and he admitted he was the office
> boy at that office, however he refused to admit he plagiarized so we
> flunked him. The jerk, my name was all over those drawings!
> EDS

Coming up with ideas is the fun part of the job for me. The trickier the
better. Why anyone would cheat themselves of that experience just to get
straight to the working drawings is beyond me.

I've got a proposal out to do limited invitation competition for a difficult
addition to an infill office building ins a chic part of town, and all I can
think about is "I hope I get it", even though I know it's going to be a
major headache... I can't wait to see what I'll come up with.
--


MichaelB
www.michaelbulatovich.ca



Posted by Kris Krieger on August 28, 2007, 5:58 pm

[ ... ]

>
> Coming up with ideas is the fun part of the job for me. The trickier
> the better. Why anyone would cheat themselves of that experience just
> to get straight to the working drawings is beyond me.
>
> I've got a proposal out to do limited invitation competition for a
> difficult addition to an infill office building ins a chic part of
> town, and all I can think about is "I hope I get it", even though I
> know it's going to be a major headache... I can't wait to see what
> I'll come up with.

Reading through this thread, I find myself wondering about this - various
people mentioned "elements", and my question is, How do you make some
elements all that much different from something that's already in
existence?

For example, someone wants a dormer. Um, how many different things can you
do to a dormer, and at what point can someone claim "plagiarism" if you
dormer ends up looking exactly like theirs, but only because the house
styles are similar (due to the different clients' similarity in taste),
and, well, heck, it's a *dormer*.

I'm just curious as to where the boundary is before someone else can claim
plagiarism.

- K.

Posted by clintonG on August 28, 2007, 7:36 pm
<snip />

> Reading through this thread, I find myself wondering about this - various
> people mentioned "elements", and my question is, How do you make some
> elements all that much different from something that's already in
> existence?
>
> For example, someone wants a dormer. Um, how many different things can
> you
> do to a dormer, and at what point can someone claim "plagiarism" if you
> dormer ends up looking exactly like theirs, but only because the house
> styles are similar (due to the different clients' similarity in taste),
> and, well, heck, it's a *dormer*.
>
> I'm just curious as to where the boundary is before someone else can claim
> plagiarism.
>
> - K.

The whole topic depends on establishing some means of communicating an
actual or presumed infringement. The term "element" has to be defined
somehow by general consensus perhaps but defined in a manner that the word
may be used and understood by others engaged in the discussion.

As best as I've been able to determine an architectural element would be
considered as some distinctive feature which may be considered as a part of
something else or stand alone on its own merit. A smooth column of conrcete
for example lacking any other distinctive characteristics may stand
vertically in space alone in the middle of a field or may stand as one of
many others located equidistant around the perimiter of a circle.

Let's use the latter as a point of discussion; a series of concrete columns
standing in space to define the perimeter of a circle. Do the columns in
aggregate not form a distinctive design element?

<%= Clinton



Posted by Michael Bulatovich on August 29, 2007, 10:20 am

>
> [ ... ]
>
>>
>> Coming up with ideas is the fun part of the job for me. The trickier
>> the better. Why anyone would cheat themselves of that experience just
>> to get straight to the working drawings is beyond me.
>>
>> I've got a proposal out to do limited invitation competition for a
>> difficult addition to an infill office building ins a chic part of
>> town, and all I can think about is "I hope I get it", even though I
>> know it's going to be a major headache... I can't wait to see what
>> I'll come up with.
>
> Reading through this thread, I find myself wondering about this - various
> people mentioned "elements", and my question is, How do you make some
> elements all that much different from something that's already in
> existence?
>
> For example, someone wants a dormer. Um, how many different things can
> you
> do to a dormer, and at what point can someone claim "plagiarism" if you
> dormer ends up looking exactly like theirs, but only because the house
> styles are similar (due to the different clients' similarity in taste),
> and, well, heck, it's a *dormer*.
>
> I'm just curious as to where the boundary is before someone else can claim
> plagiarism.

You're going to have to steal more than an element to get busted.
--


MichaelB
www.michaelbulatovich.ca



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