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well, well, well... Pierre Levesque 11-01-2007
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Posted by Michael Bulatovich on November 1, 2007, 2:13 pm

>
>>
>>>
>>>>
>>>>>
>>>>>> Pierre Levesque wrote:
>>>>>>> After years and years...
>>>>>>> http://tinyurl.com/2zvryq
>>>>>>>
>>>>>>> I guess being an Architectural Record house helps...
>>>>>>> http://tinyurl.com/3ylo5j
>>>>>>> http://tinyurl.com/2pcbup
>>>>>>>
>>>>>>> More online publications coming soon, a nice write-up just done in
>>>>>>> ArchitectNewspaper issue 18 (paper issue out now, online to come)
>>>>>>
>>>>>>
>>>>>> Where's your credit? No serious pictures.
>>>>>>
>>>>>> I've got mixed emotions about it... It's cool because they actually
>>>>>> built it. I'm a fan of "modern" architecture, but I've long since
>>>>>> ceased to be a fan of the object in space called architecture. To
>>>>>> me, there's too little human in it. It's just geometric sculpture.
>>>>>>
>>>>>> Congrats anyway...as much as we can give you.
>>>>>>
>>>>>
>>>>> Being the PA and doing CM work for the GC won't get much credit.
>>>>> Specially when the GC isn't listed. Didn't you notice that it's all
>>>>> Van Berkel, Van Berkel, Van Berkel in the PR?
>>>>
>>>> How do you think you get to be a Van Berkel?
>>>
>>> Sounds like a joke setup... OK I'll bite... I dunno, how DO you get to
>>> be a Van Berkel?
>>>
>>> Otherwise, the formula is simple really.
>>>
>>> By being enthralled with and talking a lot of BS on theory and
>>> architectonics, schmoozing with architecture rag publishers in social
>>> circles, spending a lot of time hanging around with the "right crowd" in
>>> museums and conferences, teaching at the university, authoring books,
>>> getting on the lecture circuit, opening a "high end" design firm using
>>> only unpaid interns, hiring only "star" students from your university,
>>> spending a couple years only designing theoritical unbuilt projects and
>>> entering and winning or doing well in design competitions and waiting
>>> for that one client to finally take a bite of the worm on the end of
>>> your line. And most importantly, having tons and tons of cash to be
>>> able to afford doing all of that so as to "tie you over" until you can
>>> become a star architect.
>>>
>>> If you do all of the above you can get published in about 5 years.
>>>
>>> Easy right? Now get to it!
>>
>> That was going to be my advice to you, Pierre.
>
> What the hell is that supposed to mean? I didn't hobnob enough to get a
> listing in a NY Times article? Gimme a break.
>
> Mike, I don't need your advice frankly. If I wanted to get into details
> for what my agreement was, what credit I was to get etc, I'd have posted
> and done that a long time ago. I posted because a lot of people in this
> NG were interested in this project as it developed over the past 4 years.
>
> A little history: I met with the owner (BTW it was at one of those "right
> crowd" situations at MOMA) in 2001 and was introduced to the designer's
> US representative shortly after that. I introduced these folks to my
> friend (the GC) and played "the game" to the best of my ability. I
> convinced them that my friend was the right guy for the job. Shortly
> afterwards it was determined that I would provide the owner a separate CM
> agreement. I coordinated the construction documents and prepared the bid
> package to negotiate a contract between the owner and GC. Things went
> well with all the negotiations and preparations to get the job started.
> The construction contract was executed and for whatever reason, the owner
> preferred that I just work "on the contractor's side" to make sure the job
> gets detailed that way it was supposed to be. I said OK and our agreement
> was superceded. The only stipulation was that I would get CM credit "if"
> the project were to be published.
>
> Somewhere along the line (not too suprisingly) the GC and owner had
> problems over change orders etc since the architect's office didn't have
> experience with US methods. The relationship got strained though as you
> can see it got built as detailed. And quite well. Very fine work.
> Unfortunately, the strained relationship led to the GC (and me in effect)
> to only being listed in "less important" publications.
>
> No big deal frankly. I have received credit in several of these "less
> important" publications. It's not going to prevent me from showing the
> project to interested people. and I couldn't care less about becoming Van
> Berkel.
>
> The job is done and I was involved in another fancy swanky design project.
> Who cares. It was a nice gig, it provides something to show and I'm quite
> proud of having had a hand in the execution of it. Is that so wrong?

I'm afraid I should have used a smiley. You took me seriously.



Posted by Pierre Levesque on November 1, 2007, 3:44 pm

>
>>
>>>
>>>>
>>>>>
>>>>>>
>>>>>>> Pierre Levesque wrote:
>>>>>>>> After years and years...
>>>>>>>> http://tinyurl.com/2zvryq
>>>>>>>>
>>>>>>>> I guess being an Architectural Record house helps...
>>>>>>>> http://tinyurl.com/3ylo5j
>>>>>>>> http://tinyurl.com/2pcbup
>>>>>>>>
>>>>>>>> More online publications coming soon, a nice write-up just done in
>>>>>>>> ArchitectNewspaper issue 18 (paper issue out now, online to come)
>>>>>>>
>>>>>>>
>>>>>>> Where's your credit? No serious pictures.
>>>>>>>
>>>>>>> I've got mixed emotions about it... It's cool because they actually
>>>>>>> built it. I'm a fan of "modern" architecture, but I've long since
>>>>>>> ceased to be a fan of the object in space called architecture. To
>>>>>>> me, there's too little human in it. It's just geometric sculpture.
>>>>>>>
>>>>>>> Congrats anyway...as much as we can give you.
>>>>>>>
>>>>>>
>>>>>> Being the PA and doing CM work for the GC won't get much credit.
>>>>>> Specially when the GC isn't listed. Didn't you notice that it's all
>>>>>> Van Berkel, Van Berkel, Van Berkel in the PR?
>>>>>
>>>>> How do you think you get to be a Van Berkel?
>>>>
>>>> Sounds like a joke setup... OK I'll bite... I dunno, how DO you get
>>>> to be a Van Berkel?
>>>>
>>>> Otherwise, the formula is simple really.
>>>>
>>>> By being enthralled with and talking a lot of BS on theory and
>>>> architectonics, schmoozing with architecture rag publishers in social
>>>> circles, spending a lot of time hanging around with the "right crowd"
>>>> in museums and conferences, teaching at the university, authoring
>>>> books, getting on the lecture circuit, opening a "high end" design firm
>>>> using only unpaid interns, hiring only "star" students from your
>>>> university, spending a couple years only designing theoritical unbuilt
>>>> projects and entering and winning or doing well in design competitions
>>>> and waiting for that one client to finally take a bite of the worm on
>>>> the end of your line. And most importantly, having tons and tons of
>>>> cash to be able to afford doing all of that so as to "tie you over"
>>>> until you can become a star architect.
>>>>
>>>> If you do all of the above you can get published in about 5 years.
>>>>
>>>> Easy right? Now get to it!
>>>
>>> That was going to be my advice to you, Pierre.
>>
>> What the hell is that supposed to mean? I didn't hobnob enough to get a
>> listing in a NY Times article? Gimme a break.
>>
>> Mike, I don't need your advice frankly. If I wanted to get into details
>> for what my agreement was, what credit I was to get etc, I'd have posted
>> and done that a long time ago. I posted because a lot of people in this
>> NG were interested in this project as it developed over the past 4 years.
>>
>> A little history: I met with the owner (BTW it was at one of those "right
>> crowd" situations at MOMA) in 2001 and was introduced to the designer's
>> US representative shortly after that. I introduced these folks to my
>> friend (the GC) and played "the game" to the best of my ability. I
>> convinced them that my friend was the right guy for the job. Shortly
>> afterwards it was determined that I would provide the owner a separate CM
>> agreement. I coordinated the construction documents and prepared the bid
>> package to negotiate a contract between the owner and GC. Things went
>> well with all the negotiations and preparations to get the job started.
>> The construction contract was executed and for whatever reason, the owner
>> preferred that I just work "on the contractor's side" to make sure the
>> job gets detailed that way it was supposed to be. I said OK and our
>> agreement was superceded. The only stipulation was that I would get CM
>> credit "if" the project were to be published.
>>
>> Somewhere along the line (not too suprisingly) the GC and owner had
>> problems over change orders etc since the architect's office didn't have
>> experience with US methods. The relationship got strained though as you
>> can see it got built as detailed. And quite well. Very fine work.
>> Unfortunately, the strained relationship led to the GC (and me in effect)
>> to only being listed in "less important" publications.
>>
>> No big deal frankly. I have received credit in several of these "less
>> important" publications. It's not going to prevent me from showing the
>> project to interested people. and I couldn't care less about becoming Van
>> Berkel.
>>
>> The job is done and I was involved in another fancy swanky design
>> project. Who cares. It was a nice gig, it provides something to show and
>> I'm quite proud of having had a hand in the execution of it. Is that so
>> wrong?
>
> I'm afraid I should have used a smiley. You took me seriously.

Maybe so but I don't think you were having around alt.architecture when this
project started so I guess I was just bringing you up to speed on the
history...

Does this NG qualify as "hanging around with the right crowd" on the list
'how-to' of how to be a Van Berkel? ;-P




Posted by Michael Bulatovich on November 1, 2007, 4:12 pm

>
>>
>>>
>>>>
>>>>>
>>>>>>
>>>>>>>
>>>>>>>> Pierre Levesque wrote:
>>>>>>>>> After years and years...
>>>>>>>>> http://tinyurl.com/2zvryq
>>>>>>>>>
>>>>>>>>> I guess being an Architectural Record house helps...
>>>>>>>>> http://tinyurl.com/3ylo5j
>>>>>>>>> http://tinyurl.com/2pcbup
>>>>>>>>>
>>>>>>>>> More online publications coming soon, a nice write-up just done in
>>>>>>>>> ArchitectNewspaper issue 18 (paper issue out now, online to come)
>>>>>>>>
>>>>>>>>
>>>>>>>> Where's your credit? No serious pictures.
>>>>>>>>
>>>>>>>> I've got mixed emotions about it... It's cool because they
>>>>>>>> actually built it. I'm a fan of "modern" architecture, but I've
>>>>>>>> long since ceased to be a fan of the object in space called
>>>>>>>> architecture. To me, there's too little human in it. It's just
>>>>>>>> geometric sculpture.
>>>>>>>>
>>>>>>>> Congrats anyway...as much as we can give you.
>>>>>>>>
>>>>>>>
>>>>>>> Being the PA and doing CM work for the GC won't get much credit.
>>>>>>> Specially when the GC isn't listed. Didn't you notice that it's
>>>>>>> all Van Berkel, Van Berkel, Van Berkel in the PR?
>>>>>>
>>>>>> How do you think you get to be a Van Berkel?
>>>>>
>>>>> Sounds like a joke setup... OK I'll bite... I dunno, how DO you get
>>>>> to be a Van Berkel?
>>>>>
>>>>> Otherwise, the formula is simple really.
>>>>>
>>>>> By being enthralled with and talking a lot of BS on theory and
>>>>> architectonics, schmoozing with architecture rag publishers in social
>>>>> circles, spending a lot of time hanging around with the "right crowd"
>>>>> in museums and conferences, teaching at the university, authoring
>>>>> books, getting on the lecture circuit, opening a "high end" design
>>>>> firm using only unpaid interns, hiring only "star" students from your
>>>>> university, spending a couple years only designing theoritical unbuilt
>>>>> projects and entering and winning or doing well in design competitions
>>>>> and waiting for that one client to finally take a bite of the worm on
>>>>> the end of your line. And most importantly, having tons and tons of
>>>>> cash to be able to afford doing all of that so as to "tie you over"
>>>>> until you can become a star architect.
>>>>>
>>>>> If you do all of the above you can get published in about 5 years.
>>>>>
>>>>> Easy right? Now get to it!
>>>>
>>>> That was going to be my advice to you, Pierre.
>>>
>>> What the hell is that supposed to mean? I didn't hobnob enough to get a
>>> listing in a NY Times article? Gimme a break.
>>>
>>> Mike, I don't need your advice frankly. If I wanted to get into details
>>> for what my agreement was, what credit I was to get etc, I'd have posted
>>> and done that a long time ago. I posted because a lot of people in this
>>> NG were interested in this project as it developed over the past 4
>>> years.
>>>
>>> A little history: I met with the owner (BTW it was at one of those
>>> "right crowd" situations at MOMA) in 2001 and was introduced to the
>>> designer's US representative shortly after that. I introduced these
>>> folks to my friend (the GC) and played "the game" to the best of my
>>> ability. I convinced them that my friend was the right guy for the job.
>>> Shortly afterwards it was determined that I would provide the owner a
>>> separate CM agreement. I coordinated the construction documents and
>>> prepared the bid package to negotiate a contract between the owner and
>>> GC. Things went well with all the negotiations and preparations to get
>>> the job started. The construction contract was executed and for whatever
>>> reason, the owner preferred that I just work "on the contractor's side"
>>> to make sure the job gets detailed that way it was supposed to be. I
>>> said OK and our agreement was superceded. The only stipulation was that
>>> I would get CM credit "if" the project were to be published.
>>>
>>> Somewhere along the line (not too suprisingly) the GC and owner had
>>> problems over change orders etc since the architect's office didn't have
>>> experience with US methods. The relationship got strained though as you
>>> can see it got built as detailed. And quite well. Very fine work.
>>> Unfortunately, the strained relationship led to the GC (and me in
>>> effect) to only being listed in "less important" publications.
>>>
>>> No big deal frankly. I have received credit in several of these "less
>>> important" publications. It's not going to prevent me from showing the
>>> project to interested people. and I couldn't care less about becoming
>>> Van Berkel.
>>>
>>> The job is done and I was involved in another fancy swanky design
>>> project. Who cares. It was a nice gig, it provides something to show
>>> and I'm quite proud of having had a hand in the execution of it. Is
>>> that so wrong?
>>
>> I'm afraid I should have used a smiley. You took me seriously.
>
> Maybe so but I don't think you were having around alt.architecture when
> this project started so I guess I was just bringing you up to speed on the
> history...
>
> Does this NG qualify as "hanging around with the right crowd" on the list
> 'how-to' of how to be a Van Berkel? ;-P

You know the answer to that question, Pierre.



Posted by Michael Bulatovich on November 1, 2007, 4:26 pm

>
>>
>>>
>>>>
>>>>>
>>>>>>
>>>>>>>
>>>>>>>> Pierre Levesque wrote:
>>>>>>>>> After years and years...
>>>>>>>>> http://tinyurl.com/2zvryq
>>>>>>>>>
>>>>>>>>> I guess being an Architectural Record house helps...
>>>>>>>>> http://tinyurl.com/3ylo5j
>>>>>>>>> http://tinyurl.com/2pcbup
>>>>>>>>>
>>>>>>>>> More online publications coming soon, a nice write-up just done in
>>>>>>>>> ArchitectNewspaper issue 18 (paper issue out now, online to come)
>>>>>>>>
>>>>>>>>
>>>>>>>> Where's your credit? No serious pictures.
>>>>>>>>
>>>>>>>> I've got mixed emotions about it... It's cool because they
>>>>>>>> actually built it. I'm a fan of "modern" architecture, but I've
>>>>>>>> long since ceased to be a fan of the object in space called
>>>>>>>> architecture. To me, there's too little human in it. It's just
>>>>>>>> geometric sculpture.
>>>>>>>>
>>>>>>>> Congrats anyway...as much as we can give you.
>>>>>>>>
>>>>>>>
>>>>>>> Being the PA and doing CM work for the GC won't get much credit.
>>>>>>> Specially when the GC isn't listed. Didn't you notice that it's
>>>>>>> all Van Berkel, Van Berkel, Van Berkel in the PR?
>>>>>>
>>>>>> How do you think you get to be a Van Berkel?
>>>>>
>>>>> Sounds like a joke setup... OK I'll bite... I dunno, how DO you get
>>>>> to be a Van Berkel?
>>>>>
>>>>> Otherwise, the formula is simple really.
>>>>>
>>>>> By being enthralled with and talking a lot of BS on theory and
>>>>> architectonics, schmoozing with architecture rag publishers in social
>>>>> circles, spending a lot of time hanging around with the "right crowd"
>>>>> in museums and conferences, teaching at the university, authoring
>>>>> books, getting on the lecture circuit, opening a "high end" design
>>>>> firm using only unpaid interns, hiring only "star" students from your
>>>>> university, spending a couple years only designing theoritical unbuilt
>>>>> projects and entering and winning or doing well in design competitions
>>>>> and waiting for that one client to finally take a bite of the worm on
>>>>> the end of your line. And most importantly, having tons and tons of
>>>>> cash to be able to afford doing all of that so as to "tie you over"
>>>>> until you can become a star architect.
>>>>>
>>>>> If you do all of the above you can get published in about 5 years.
>>>>>
>>>>> Easy right? Now get to it!
>>>>
>>>> That was going to be my advice to you, Pierre.
>>>
>>> What the hell is that supposed to mean? I didn't hobnob enough to get a
>>> listing in a NY Times article? Gimme a break.
>>>
>>> Mike, I don't need your advice frankly. If I wanted to get into details
>>> for what my agreement was, what credit I was to get etc, I'd have posted
>>> and done that a long time ago. I posted because a lot of people in this
>>> NG were interested in this project as it developed over the past 4
>>> years.
>>>
>>> A little history: I met with the owner (BTW it was at one of those
>>> "right crowd" situations at MOMA) in 2001 and was introduced to the
>>> designer's US representative shortly after that. I introduced these
>>> folks to my friend (the GC) and played "the game" to the best of my
>>> ability. I convinced them that my friend was the right guy for the job.
>>> Shortly afterwards it was determined that I would provide the owner a
>>> separate CM agreement. I coordinated the construction documents and
>>> prepared the bid package to negotiate a contract between the owner and
>>> GC. Things went well with all the negotiations and preparations to get
>>> the job started. The construction contract was executed and for whatever
>>> reason, the owner preferred that I just work "on the contractor's side"
>>> to make sure the job gets detailed that way it was supposed to be. I
>>> said OK and our agreement was superceded. The only stipulation was that
>>> I would get CM credit "if" the project were to be published.
>>>
>>> Somewhere along the line (not too suprisingly) the GC and owner had
>>> problems over change orders etc since the architect's office didn't have
>>> experience with US methods. The relationship got strained though as you
>>> can see it got built as detailed. And quite well. Very fine work.
>>> Unfortunately, the strained relationship led to the GC (and me in
>>> effect) to only being listed in "less important" publications.
>>>
>>> No big deal frankly. I have received credit in several of these "less
>>> important" publications. It's not going to prevent me from showing the
>>> project to interested people. and I couldn't care less about becoming
>>> Van Berkel.
>>>
>>> The job is done and I was involved in another fancy swanky design
>>> project. Who cares. It was a nice gig, it provides something to show
>>> and I'm quite proud of having had a hand in the execution of it. Is
>>> that so wrong?
>>
>> I'm afraid I should have used a smiley. You took me seriously.
>
> Maybe so but I don't think you were having around alt.architecture when
> this project started so I guess I was just bringing you up to speed on the
> history...
>
> Does this NG qualify as "hanging around with the right crowd" on the list
> 'how-to' of how to be a Van Berkel? ;-P

BTW, not too long ago I at first accepted an offer to do similar chores for
Alsop. The team started to push me around, so I "started to stop", then they
eventually dismissed me. Prolly did us both a big favor. A suspicious fire
destroyed a historically designated church on a site the developer on this
Alsop project owed and wanted to develop.



Posted by EDS on November 1, 2007, 2:15 pm

>
>>
>>>
>>>>
>>>>>
>>>>>> Pierre Levesque wrote:
>>>>>>> After years and years...
>>>>>>> http://tinyurl.com/2zvryq
>>>>>>>
>>>>>>> I guess being an Architectural Record house helps...
>>>>>>> http://tinyurl.com/3ylo5j
>>>>>>> http://tinyurl.com/2pcbup
>>>>>>>
>>>>>>> More online publications coming soon, a nice write-up just done in
>>>>>>> ArchitectNewspaper issue 18 (paper issue out now, online to come)
>>>>>>
>>>>>>
>>>>>> Where's your credit? No serious pictures.
>>>>>>
>>>>>> I've got mixed emotions about it... It's cool because they actually
>>>>>> built it. I'm a fan of "modern" architecture, but I've long since
>>>>>> ceased to be a fan of the object in space called architecture. To
>>>>>> me, there's too little human in it. It's just geometric sculpture.
>>>>>>
>>>>>> Congrats anyway...as much as we can give you.
>>>>>>
>>>>>
>>>>> Being the PA and doing CM work for the GC won't get much credit.
>>>>> Specially when the GC isn't listed. Didn't you notice that it's all
>>>>> Van Berkel, Van Berkel, Van Berkel in the PR?
>>>>
>>>> How do you think you get to be a Van Berkel?
>>>
>>> Sounds like a joke setup... OK I'll bite... I dunno, how DO you get to
>>> be a Van Berkel?
>>>
>>> Otherwise, the formula is simple really.
>>>
>>> By being enthralled with and talking a lot of BS on theory and
>>> architectonics, schmoozing with architecture rag publishers in social
>>> circles, spending a lot of time hanging around with the "right crowd" in
>>> museums and conferences, teaching at the university, authoring books,
>>> getting on the lecture circuit, opening a "high end" design firm using
>>> only unpaid interns, hiring only "star" students from your university,
>>> spending a couple years only designing theoritical unbuilt projects and
>>> entering and winning or doing well in design competitions and waiting
>>> for that one client to finally take a bite of the worm on the end of
>>> your line. And most importantly, having tons and tons of cash to be
>>> able to afford doing all of that so as to "tie you over" until you can
>>> become a star architect.
>>>
>>> If you do all of the above you can get published in about 5 years.
>>>
>>> Easy right? Now get to it!
>>
>> That was going to be my advice to you, Pierre.
>
> What the hell is that supposed to mean? I didn't hobnob enough to get a
> listing in a NY Times article? Gimme a break.
>
> Mike, I don't need your advice frankly. If I wanted to get into details
> for what my agreement was, what credit I was to get etc, I'd have posted
> and done that a long time ago. I posted because a lot of people in this
> NG were interested in this project as it developed over the past 4 years.
>
> A little history: I met with the owner (BTW it was at one of those "right
> crowd" situations at MOMA) in 2001 and was introduced to the designer's
> US representative shortly after that. I introduced these folks to my
> friend (the GC) and played "the game" to the best of my ability. I
> convinced them that my friend was the right guy for the job. Shortly
> afterwards it was determined that I would provide the owner a separate CM
> agreement. I coordinated the construction documents and prepared the bid
> package to negotiate a contract between the owner and GC. Things went
> well with all the negotiations and preparations to get the job started.
> The construction contract was executed and for whatever reason, the owner
> preferred that I just work "on the contractor's side" to make sure the job
> gets detailed that way it was supposed to be. I said OK and our agreement
> was superceded. The only stipulation was that I would get CM credit "if"
> the project were to be published.
>
> Somewhere along the line (not too suprisingly) the GC and owner had
> problems over change orders etc since the architect's office didn't have
> experience with US methods. The relationship got strained though as you
> can see it got built as detailed. And quite well. Very fine work.
> Unfortunately, the strained relationship led to the GC (and me in effect)
> to only being listed in "less important" publications.
>
> No big deal frankly. I have received credit in several of these "less
> important" publications. It's not going to prevent me from showing the
> project to interested people. and I couldn't care less about becoming Van
> Berkel.
>
> The job is done and I was involved in another fancy swanky design project.
> Who cares. It was a nice gig, it provides something to show and I'm quite
> proud of having had a hand in the execution of it. Is that so wrong?
>
Methinks the gentleman doth protest to much ;-)
EDS



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